NYT's "Best 1000 Movies Ever Made" Available on Netflix Instant
This selection is drawn from the second edition of "The New York Times Guide to the Best 1,000 Movies Ever Made" (St. Martin's Griffin, $24.95), edited by Peter M. Nichols and published in 2004. Below we have listed all the titles from the 'Best 1,000' list which are now available as Netflix Instant movies - sorted by Title. The star ratings are Netflix viewer average ratings.
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107 films.

(1971) 137 mins R

In this Stanley Kubrick classic based on Anthony Burgess's novel, teenage miscreant Alex DeLarge (Malcolm McDowell) wanders aimlessly amid a bleak, futuristic urban landscape, drinking drugged milk and listening to Beethoven with his fellow "droogs." But he also spends his time stealing, raping and beating innocent people in nihilistic orgies of violence, all in an attempt to get his nightly kicks.
NYT says: Tamed rebel of future, via Kubrick. Glacial but brilliantly effective. Read The Full New York Times Movie Review

(1949) 103 mins NR

In this 1949 black-and-white classic, which won Joseph L. Mankiewicz an Academy Award for Best Director, three married women (Jeanne Crain, Linda Darnell and Ann Sothern) vacationing on the Hudson suddenly find themselves on the receiving end of a disturbing missive: One of their husbands has broken his nuptial vows and cheated. But whose? The answer is revealed as each woman excavates the ruins of her marriage. Kirk Douglas costars.
NYT says: Grand, sophisticated Americana, the Mankiewicz kind. Pounce. Read The Full New York Times Movie Review

(1984) 164 mins PG

Adventurous young Englishwoman Adela Quested (Judy Davis) journeys to colonial India with open-minded Mrs. Moore (Peggy Ashcroft). Ignoring English customs, the women accompany a "native" named Dr. Aziz on a tour of the Marabar Caves. The excursion turns ugly, however, when Adela emerges from the caves accusing Aziz of rape. British authorities urge Adela to press charges, but the truth isn't as obvious as the government believes it to be.
NYT says: Forster's dramatic clash of 1920's cultures. Beautifully done, via David Lean. Read The Full New York Times Movie Review

(1950) 139 mins NR

Writer-director Joseph L. Mankiewicz's sharp script anchors this story about New York City theater life, with Bette Davis playing an aging Broadway diva who employs a starstruck fan (Anne Baxter) as her assistant, only to learn the woman is a conniving upstart. The now-classic All About Eve won Oscars for Best Picture, Best Director (Mankiewicz), Best Screenplay and Best Supporting Actor (George Sanders).
NYT says: Broadway jungle. One of the screen's great sophisticated comic dramas. Read The Full New York Times Movie Review

(1999) 104 mins R

In this quirky documentary that won the Grand Jury Prize at the Sundance Film Festival, director Chris Smith chronicles aspiring filmmaker Mark Borchardt's battle to finish his horror flick Coven, despite a lack of just about everything, including sense. Over three years, Smith follows Borchardt's dogged quest, lending encouragement and cash to a motley crew that includes Borchardt's friends, local theater talent and his inimitable Uncle Bill.

(1946) 128 mins UR

Based on the true story of an English governess who takes a position teaching the King of Siam's children, John Cromwell's lavish production stars Rex Harrison in his screen debut. Recently widowed Anna (Irene Dunne) leaves England for the palace of King Mongkut (Harrison). She clashes with the king despite his instruction to teach the children Western ways, but the two slowly gain a respect for each other that transcends cultural differences.
NYT says: ``The King and I'' before the music. Impressive. Read The Full New York Times Movie Review

(1984) 120 mins R

(Matthew Modine) returns from the war in Vietnam mentally shattered and convinced he's a bird. Confined to a military hospital, he sits in his room day after day in silence, emulating a parakeet. His friend Al (Nicolas Cage), also a Vietnam veteran, visits him in his hospital room every day, determined to bring Birdy back to reality and help him deal with the emotional battle wounds of war.
NYT says: Vietnam vet and bird-obsessed pal in psychiatric hospital. Curious but holding drama. Read The Full New York Times Movie Review

(1981) 113 mins R

In a sizzling-hot Florida coastal town, naive attorney Ned Racine (William Hurt) is manipulated into killing femme fatale Matty Walker's (Kathleen Turner) wealthy, much-older husband (Richard Crenna). Ned's knowledge of legal matters will enable both conspirators to escape scot-free -- but Matty is craftier than anyone ever dreamed. Lawrence Kasdan directs this throwback to the early days of film noir. Ted Danson and Mickey Rourke co-star.
NYT says: Adultery and murder. Not in ``Double Indemnity'' league but good and steamy. Read The Full New York Times Movie Review

(1991) 112 mins R

South Central Los Angeles high school student Tre Styles (Cuba Gooding Jr.) struggles to stay straight in a community polluted by drugs, violence and racism, and his cynical, devoted father (Laurence Fishburne) will accept nothing but the best from him. Writer-director John Singleton's dramatic debut effort earned two Academy Award nominations (for Best Director and Best Writing) and launched the film careers of Gooding and Ice Cube.
NYT says: Black teenagers in L.A. Familiar but dramatic, with gut-wrenching finale. Read The Full New York Times Movie Review

(1979) 110 mins NR

Carlos Diegues helms this unusual international import, a fantasy-laden follow-up to his 1978 film Xica da Silva that tracks a small band of traveling performers as they make their way through the jungles of Brazil in an open-air caravan. The film's odd cast of characters includes a young accordion player and his pregnant wife (Fábio Júnior and Zaira Zambelli), a slinky dancer (Betty Faria) and a fire-breathing deaf-mute (Príncipe Nabor).
NYT says: Gypsy actors traverse Brazil. Picaresque and entertaining. Read The Full New York Times Movie Review

(1982) 80 mins NR

Two San Francisco taxi drivers -- Jo (Wood Moy) and his glib nephew, Steve (Marc Hayashi) -- take to Chinatown's streets searching for Chan Hung, an intermediary who's vanished with the cash the cabbies gave him to obtain their medallion. Along the way, their odyssey leads them through a world of global politics and domestic disputes. Director Wayne Wang's quirky excursion offers insight into the cultural conflicts confronting Chinese-Americans.
NYT says: Two San Francisco cabbies after thief. Read The Full New York Times Movie Review

(1931) 75 mins UR

Bela Lugosi turns in a landmark horror performance in this 1931 adaptation of Bram Stoker's classic vampire novel. Revisit Transylvania for the eerie mood created by spectacular cinematography and Lugosi's oft-copied take on the infamous Dracula. Dwight Frye as Renfield also helps define the grotesque and sniveling sidekick role.
NYT says: The kid from Transylvania. Welcome back, you old bat. Read The Full New York Times Movie Review

(1982) 157 mins PG

In this intoxicating, one-of-a-kind film, obsessed opera lover Klaus Kinski dreams of building a concert hall in the middle of the Amazon jungle. To realize his vision, he must haul a huge riverboat up (and down) a mountainside with help from a local Indian tribe. Fitzcarraldo is another weird gem from German director Werner Herzog's offbeat oeuvre.
NYT says: One man's South American jungle obsessions. Striking and original. Read The Full New York Times Movie Review

(1953) 118 mins NR

The date which lives in infamy lives on in this gripping adaptation of James Jones' novel about Army life in Hawaii in the idyllic days just before December 7, 1941. Eight Oscars include Best Picture, Screenplay, Supporting Actress (Donna Reed) and Supporting Actor (Frank Sinatra). Burt Lancaster and Deborah Kerr rolling around in the waves and sand ranks as one of the hottest love scenes in screen history.
NYT says: Soldiers, their women and Pearl Harbor. Powerful stuff, via Jones novel. Read The Full New York Times Movie Review

(1992) 101 mins R

A hardworking, blue-collar mother (Brooke Adams) and her two diametrically opposed daughters, Shade (Fairuza Balk) and Trudi (Ione Skye), try to live a normal life in their whistle-stop desert town in New Mexico. Melancholy Shade escapes via the romantic melodramas at the local Mexican cinema, while Trudi throws herself into meaningless sexual relationships with men. Directed by indie filmmaker Allison Anders.
NYT says: Pungent sleeper about three restless women in dusty Western town. Read The Full New York Times Movie Review

(1944) 130 mins NR

In one of cinema's most charming pairings, Bing Crosby and Barry Fitzgerald star in this classic musical drama that tells the tale of singing Father O'Malley (Crosby), sent to take over the aging and cantankerous Father Fitzgibbon's (Fitzgerald) parish. Winner of seven Oscars, including Best Picture, the film features one of Crosby's best-loved tunes, "Swinging on a Star."
NYT says: Big wartime hit about two ever so human priests. Bing and Barry won Oscars. Read The Full New York Times Movie Review

(1993) 101 mins PG

In this offbeat existential comedy from director Harold Ramis, self-centered television weatherman Phil Connors (Bill Murray) is sent to Punxsutawney, Pa., to cover the annual appearance of the town's world-famous groundhog. After unleashing his bitterness on his producer (Andie MacDowell) and cameraman (Chris Elliott), Connors realizes he's doomed to repeat Groundhog Day until he learns that his actions can affect the outcome.
NYT says: Smug weatherman condemned to relive Feb. 2 over and over again in Punxsutawney, Pa. Witty and resonant. Read The Full New York Times Movie Review

(1940) 92 mins UR

Cary Grant is an ultrasophisticated alpha male: Swaggering, cocky and ready for anything, he's alternately irresistible and infuriating to women. As a fast-talking newspaper publisher determined to win back his ex-wife (Rosalind Russell) from her new fiancé, Grant's comedic gifts are allowed free rein -- and Russell matches every bon mot. The dialogue crackles like thin ice on a frozen lake.
NYT says: ``Front Page'' remake with gender change. Funny and deadline-fast. Read The Full New York Times Movie Review

(1987) 113 mins PG-13

This Oscar-nominated film set in London depicts World War II as experienced by 7-year-old Billy (Sebastian Rice Edwards). Wartime thrills the imaginative Billy, whose supportive mother (Sarah Miles) tries to keep the family strong as the bombs increase. Although Billy's sister (Sammi Davis) suffers heartbreak and the family home is wrecked, director John Boorman's dramedy manages to limelight the bemusing aspects of everyday life during wartime.
NYT says: Boy and family in early-WWII England. Well played, superbly detailed. Read The Full New York Times Movie Review

(1953) 95 mins NR

In this classic comedy, three New York models (Marilyn Monroe, Betty Grable and Lauren Bacall) set up an apartment with a mission: They plan to use their looks, charm and talent to catch and marry a trio of millionaires. The gold-digging dames' outrageous man-hunting scheme does attract wealthy candidates, but, love and money don't appear to coexist; all three women must choose between the extremes.
NYT says: Routine gold digger yarn. Some wry sparks. Read The Full New York Times Movie Review

(1934) 105 mins UR

Runaway socialite Ellie Andrews (Claudette Colbert) is en route to the Big Apple to elope with a fortune-hunting flyboy. Along the way she meets crusty newspaperman Peter Warne (Clark Gable), who's just been sacked and -- unbeknownst to Ellie -- plans to sell her story to get his job back. But a string of zany misadventures leads them to realize they're madly -- if reluctantly -- in love. It Happened One Night swept every major Academy Award.
NYT says: Heiress and newspaperman on Miami bus headed north. Delicious old romantic comedy, via Capra. An Oscar mop-up. Read The Full New York Times Movie Review

(1979) 105 mins PG

Ted (Dustin Hoffman) is a career-driven yuppie -- until he finds out his dissatisfied wife (Meryl Streep) is leaving him and their 6-year-old son. But just as Ted begins to love being a full-time parent, his wife reappears to reclaim the boy. Poignant and beautifully acted, this cinematic tearjerker swept the 1979 Academy Awards, winning Oscars for Hoffman and Streep in addition to Best Picture, Best Director and Best Screenplay honors.
NYT says: New York divorce and child-custody fight. Expertly served. Read The Full New York Times Movie Review

(1998) 134 mins PG-13

Adapted from Victor Hugo's classic novel of forgiveness and redemption, Les Miserables chronicles the life of Jean Valjean (Liam Neeson), an ex-con trying desperately to live a decent life. Oscar winner Geoffrey Rush is brilliant as Javert, the inspector who has no intention of letting Valjean escape his past. This version of the oft-filmed classic stays faithful to the source material and features stunning location shooting (Paris and Prague).
NYT says: Splendid version of the Hugo classic. Fast, colorful, beautifully played. Even better now. Read The Full New York Times Movie Review

(1939) 88 mins NR

While on an ocean cruise, strangers Michel Marnet (Charles Boyer) and Terry McKay (Irene Dunne) are instantly taken with each other. Unfortunately, they're both engaged to other people, so they promise to reunite in six months to see if their passion still burns. En route to the reunion, Terry is crippled in a car accident, heightening the drama of this Oscar-nominated romance.
NYT says: That shipboard romance. A truly golden oldie. Read The Full New York Times Movie Review

(1982) 123 mins PG

Constantin Costa-Gavras helmed this thriller based on a true story. John Shea plays Charles Horman, an American expatriate living with his wife, Beth (Sissy Spacek), in a South American country in the midst of a coup. When Charles vanishes, Beth turns to his father (Jack Lemmon) for help. But the conservative businessman is about to learn a lesson in political reality ... and the ugly facts about the United States' involvement in Latin America.
NYT says: American man seeks son who disappeared in Chile. Sharply engrossing, via Costa-Gavras. Read The Full New York Times Movie Review

(1946) 97 mins UR

As the enforcer of law in the town of Tombstone, Ariz., Wyatt Earp (Henry Fonda) must balance keeping unruly criminals in line with tracking down and bringing to justice the men who killed his brothers, Morgan (Ward Bond) and Virgil (Tim Holt). With help from Doc Holliday (Victor Mature), with whom he maintains a tepid friendship, Earp's pursuit ultimately involves the history-making confrontation at the OK Corral.
NYT says: John Ford's Wyatt Earp saga, as only he could tell it. Read The Full New York Times Movie Review

(1979) 118 mins PG

In an Oscar-winning performance, Sally Field is unforgettable as Norma Rae, the Southern millworker who revolutionizes a small town and discovers a power in herself she never knew she had. Under the guidance of a New York unionizer (Ron Leibman) and with increasing courage and determination, Norma Rae organizes her fellow factory workers to fight for better conditions and wages. Based on a true story.
NYT says: Spunky union organizer in Southern mill town. Field tour de force. Read The Full New York Times Movie Review

(1992) 110 mins PG-13

Based on John Steinbeck's 1937 classic tale, this drama tells the story of friends George (Gary Sinise, who also directed) and dim-witted gentle giant Lennie (John Malkovich), who wander the country during the Depression. They find work on a California farm and get closer to realizing their dream of settling down, but it all goes tragically wrong when the boss's wife (Sherilyn Fenn) makes advances.
NYT says: Steinbeck's itinerants. Powerful and haunting, darker than the recent remake. Fine Copland music. Read The Full New York Times Movie Review

(1954) 108 mins NR

Winner of eight Oscars, director Elia Kazan's classic morality tale stars Marlon Brando as Terry Malloy, a has-been boxer who experiences a crisis of conscience while working for mobbed-up union boss Johnny Friendly (Lee J. Cobb). Terry turns a blind eye when Friendly's thugs kill a fellow dockworker to keep him from testifying in a corruption case, but has second thoughts when the victim's sister (Eva Marie Saint) urges him to take a stand.
NYT says: Crooked unionism on Jersey docks, via Kazan. One of the real champs. Read The Full New York Times Movie Review

(1945) 105 mins NR

Director Roberto Rossellini's unsettling drama portrays the harrowing struggle of everyday women and children as they try to shield resistance forces from the Nazis and to maintain compassion and self-respect despite Rome's de facto occupation during World War II's waning days. Rossellini's landmark film, which received an Oscar nomination for Best Screenplay, brilliantly depicts the Italian people's weary despair and collective resolve.
NYT says: Rome under Nazis. Powerful, shattering drama. Read The Full New York Times Movie Review

(1980) 265 mins NR

Preoccupied with status, Mrs. Bennet (Priscilla Morgan) will do just about anything to make sure that her five daughters marry into well-to-do families in this BBC series based on Jane Austen's classic novel. The second eldest daughter, Elizabeth (Elizabeth Garvie), has complete distaste for her wealth-obsessed circle, especially the conceited and affluent Fitzwilliam Darcy (David Rintoul). But what she doesn't realize is that Darcy feels the same way she does.
NYT says: Hollywood version of Austen classic. Perfection. Read The Full New York Times Movie Review

(1989) 100 mins PG-13

A budding romance between noble underachiever Lloyd Dobler (John Cusack) and high school valedictorian Diane Court (Ione Skye) is threatened when Diane's overly possessive, disapproving father (John Mahoney) interferes with their relationship. With a prized scholarship to study abroad hanging in the balance, Diane must find a way to make both men happy. Writer-director Cameron Crowe steers this 1980s teen flick into instant-classic territory.
NYT says: High-school senior falls for an honor student bound for England. Charming performances. Read The Full New York Times Movie Review

(1998) 122 mins R

Young Shakespeare (Joseph Fiennes) is forced to stage his latest comedy, "Romeo and Ethel, the Pirate's Daughter," before it's even written. When a lovely noblewoman (Gwyneth Paltrow) auditions for a role, they fall into forbidden love -- and his play finds a new life (and title). As their relationship progresses, Shakespeare's comedy soon transforms into tragedy. This bittersweet romance won seven Oscars, including Best Picture and Best Actress.
NYT says: Young Will Shakespeare meets Viola and gets his creativity back. Rollicking, passionate and exhilaratingly clever. Read The Full New York Times Movie Review

(1984) 115 mins PG

In this sci-fi love story from John Carpenter, Jeff Bridges -- who received an Oscar nod for his work -- plays Starman, an alien who crashes on Earth and takes the form of a recently deceased man in order to evade authorities. On seeing the image of her dead husband before her, widow Jenny (Karen Allen) is frightened. But eventually, Starman wins her trust -- and her affection -- and she agrees to help him return to his home planet.
NYT says: Crisply imaginative, intelligent sci-fi. A kind of ``E.T.'' with sex appeal. Read The Full New York Times Movie Review

(1959) 113 mins UR

In Tennessee Williams's tale of sexual repression set in 1937 New Orleans, rich widow Mrs. Venable (Katharine Hepburn) is distraught over the death of her son Sebastian during his vacation to Europe, where the two had traveled together every summer. This time, Sebastian had taken his cousin Catherine (Elizabeth Taylor), who appears to go mad the day Sebastian dies. Dr. Cukrowicz (Montgomery Clift) is called in to assess her mental state.
NYT says: Tennessee Williams's neurotic neurosurgeon, jittery widow and maternal tarantula. Dankly fascinating. Read The Full New York Times Movie Review

(1996) 116 mins R

Up-and-comer Max (Vincent Cassel) abandons his fiancée to pursue an ex-girlfriend in Gilles Mimouni's tangled romantic mystery. Obsessed with the possibility that his lost love, Lisa (Monica Bellucci), is really his soul mate, Max breaks into her apartment and becomes entangled with her look-alike, Alice (Romane Bohringer), who just happens to be dating Max's best friend. Meanwhile, Lisa is stalked by her rich -- and possibly murderous -- lover.
NYT says: After-hours office affairs, via Billy Wilder. Perceptive and winning. Read The Full New York Times Movie Review

(1963) 120 mins PG-13

Chic socialite Melanie Daniels (Tippi Hedren) enjoys a passing flirtation with an eligible attorney (Rod Taylor) in a San Francisco pet shop and, on an impulse, follows him to his hometown bearing a gift of lovebirds. But upon her arrival, the bird population runs amok. Suddenly, the townsfolk face a massive avian onslaught, with the feathered fiends inexplicably attacking people all over Bodega Bay.
NYT says: Feathered friends on rampage. Brilliant Hitchcock horror. Read The Full New York Times Movie Review

(1954) 125 mins UR

Captain Queeg: madman or misunderstood taskmaster? That's the dilemma facing the first officer (Van Johnson) of the U.S.S. Caine when its stern new captain (Humphrey Bogart) drives the crew to the brink of mutiny. Part sea-going adventure, part courtroom drama, The Caine Mutiny is a tale that manages to be both thrilling and thought-provoking. Bogart shines in one of his last roles.
NYT says: Wouk's Navy-command drama. Stinging, often gripping, but marred by theatrics. Read The Full New York Times Movie Review

(1951) 92 mins G

A humanoid envoy (Michael Rennie) from another world lands in Washington, D.C., with a warning to Earth's people to cease their violent behavior. But panic erupts when a nervous soldier shoots the messenger, and his robot companion tries to destroy the capital. A sci-fi hallmark that offers wry commentary on the political climate of the 1950s, this Golden Globe-winning classic is less concerned with special effects than with its potent message.
NYT says: Spaceship lands on White House lawn. Provocative sci-fi. Read The Full New York Times Movie Review

(1991) 138 mins R

Shock-jock Jack Lucas (Jeff Bridges) becomes racked with guilt after a listener takes Jack's tirades to heart, resulting in a bloodbath at a New York City hot spot. Jack sinks into a depression, drinking himself nearly to death and sponging off his girlfriend (Oscar-winner Mercedes Ruehl). When Jack hits bottom, he's ready to end it all. Could a dotty homeless man (Robin Williams) whose wife died in the carnage be Jack's chance for redemption?
NYT says: Radio host meets colorful derelict. Great charm when chaos is kept in check. Read The Full New York Times Movie Review

(1998) 124 mins R

John Boorman won Best Director at the Cannes Film Festival for this chronicle of Ireland's notorious Robin Hood, Martin Cahill (Brendan Gleeson), who was killed by the Irish Republican Army in 1994. Cahill grows from a scrappy boy into an unremorseful adult with a penchant for stealing from the rich. His lifetime nemesis, police inspector Ned Kenny (John Voight), trails Cahill relentlessly as his robberies become increasingly audacious.
NYT says: Irish thief Martin Cahill advances from petty villain to crime lord. Canny and elegant, with captivating detail. Read The Full New York Times Movie Review

(1940) 128 mins NR

In this towering classic of American cinema, common man Tom Joad (Henry Fonda) leads his family on a harrowing journey from the Dust Bowl of Oklahoma to the promise of a better life in California. Based on John Steinbeck's Pulitzer Prize-winning novel and masterfully directed by John Ford, the stirring drama also stars Oscar winner Jane Darwell as Ma Joad and John Carradine as the fallen preacher Casy.
NYT says: Steinbeck's Depression-era Okies, via Ford. The American screen at its peak. Read The Full New York Times Movie Review

(1941) 93 mins UR

Seductive gold-digger Barbara Stanwyck and her conniving father (Charles Coburn) set out to fleece wealthy but naïve ophiologist Henry Fonda, the socially inept heir to a brewery fortune. But the tables turn when Stanwyck falls for her prey and Fonda gets wise to their scheme. Stanwyck then goes all-out to recapture Fonda's heart in this raucous battle of the sexes from renowned writer-director Preston Sturges.
NYT says: Con woman posing as British nobility. Sassy, delicious froth from Preston Sturges. Read The Full New York Times Movie Review

(1940) 105 mins NR

Adapted from four Eugene O'Neill one-act plays, this lyrical drama from legendary director John Ford features the stunning visuals of renowned cinematographer Gregg Toland. As the merchant ship Glencairn crosses the Atlantic during World War II, the anxious crew deals with rough weather, the threat of German warplanes and a possible spy on board. John Wayne stars in this classic, which was nominated for six Oscars, including Best Picture.
NYT says: O'Neill's career sailors, via John Ford. Memorable. Read The Full New York Times Movie Review

(1943) 75 mins NR

Director William A. Wellman's Western digs into the mob-led lynching of three innocent men. The film centers on cowboys Carter (Henry Fonda) and Croft (Harry Morgan), who reluctantly join a hunt for murderous cattle rustlers. Led by ex-soldier Tetley (Frank Conroy), the posse captures three transients (Dana Andrews, Anthony Quinn and Francis Ford). When Tetley calls for their execution without proof of their guilt, Carter faces a moral dilemma.
NYT says: Frontier lynching. Powerful, haunting drama. Read The Full New York Times Movie Review

(1996) 130 mins R

Notorious pornographer Larry Flynt (Woody Harrelson) carries his free-speech campaign from lowly strip clubs to the U.S. Supreme Court in this Academy Award-nominated film from director Milos Forman. Intertwining details of the Hustler publisher's legal battles with scenes from his personal and professional life, the film also examines Flynt's relationships with his lawyer (Edward Norton) and drug-addicted wife (Courtney Love).
NYT says: Hustler magazine publisher's First Amendment battle. Perfectly serious and shamelessly entertaining. Read The Full New York Times Movie Review

(1993) 138 mins PG

Dutiful butler Stevens (Anthony Hopkins) dedicates himself wholly to tending Lord Darlington's (James Fox) house, turning a blind eye to Darlington's Nazi sympathies. When housekeeper Miss Kenton (Emma Thompson) tries to coax Stevens out of his staid shell, his reluctance may cost him dearly. He finally seeks out Miss Kenton later in life, but is it too late? This Merchant-Ivory period drama was nominated for eight Oscars, including Best Picture.
NYT says: British butler and housekeeper in 1930's. Perfection, via Merchant Ivory. Read The Full New York Times Movie Review

(1948) 107 mins UR

Olivia de Havilland earned an Oscar nomination for her work in this stark drama as Virginia Cunningham, a married young woman whose idyllic life falls apart when she sinks into a world of psychosis and is eventually placed in an institution. Adapted from Mary Jane Ward's gripping autobiography, Anatole Litvak's portrait of mental illness examines the treatment of mentally unstable patients in the late 1940s and '50s.
NYT says: Inside a mental hospital. Fine, full-rigged drama, with excellent de Havilland. Read The Full New York Times Movie Review

(1924) 139 mins UR

This Arabian Nights fantasy-adventure was one of the great productions of the 1920s and remains hugely entertaining today. Douglas Fairbanks stars as carefree Ahmed the Thief. What he wants, he takes -- until he becomes smitten with a beautiful princess. To win her hand he must prove himself worthier than his rival through feats of derring-do in the Valley of Fire, the Valley of the Monsters, the Cavern of the Enchanted Trees and more.
NYT says: Pounce. Grand adventure -- tingling, sweeping, artistic. Treat for all ages. Read The Full New York Times Movie Review

(1949) 104 mins NR

After arriving in post-World War II Vienna, unemployed pulp novelist Holly Martins (Joseph Cotten) learns that his friend Harry (Orson Welles) has died in an accident. Compelled to investigate the death, Holly slowly uncovers startling revelations about Harry's life. Based on a novel by Graham Greene, this classic film noir thriller earned an Academy Award nomination for director Carol Reed and won an Oscar for Best Cinematography.
NYT says: Superb suspense in Graham Greene's postwar Vienna. And oh, that fade-out! Read The Full New York Times Movie Review

(1983) 115 mins PG

Guy Hamilton (Mel Gibson), an Australian reporter on assignment in politically unstable Indonesia, joins forces with a savvy photographer (Linda Hunt). But it's Guy's affair with the beautiful British attaché Jill Bryant (Sigourney Weaver) that complicates his life. As the country moves to the brink of civil war, Jill warns her lover to leave, but Guy insists on pressing on to expose the truth ... even if it comes with a high cost.
NYT says: Mel Gibson, Sigourney Weaver, Linda Hunt. Read The Full New York Times Movie Review

(1990) 107 mins R

Maria (Adrienne Shelly), a Long Island high schooler, is having a thoroughly bad time. Her father's dead from a heart attack, partly caused by a slap Maria delivers after he goes ballistic when she admits she's pregnant. Plus, her boyfriend is MIA. Enter grenade-toting electronics whiz Matthew (Martin Donovan), who may be her meant-to-be. Hal Hartley's achingly honest film pairs two misfits in a strange tale of love, hope and redemption.
NYT says: Pregnant high school dropout meets moody electronics genius. Richly detailed, via Hal Hartley. Read The Full New York Times Movie Review

(1958) 129 mins PG

Don't look down! One of Alfred Hitchcock's darkest and most compelling films tells the story of police detective Scottie Ferguson (James Stewart), who has a crippling fear of heights. When an old friend asks him to tail his wife (Kim Novak), Scottie is drawn into a vortex of deceit, murder and obsession … and that's just the beginning! Two highlights: a mesmerizing Bernard Herrmann score and a haunting final shot.
NYT says: Retired sleuth's romantic obsession. Magnetic but far-fetched Hitchcock puzzle. Read The Full New York Times Movie Review

(1985) 135 mins NR

See how Suzi, Symon, Paul, Peter and Neil -- just five of the 14 subjects that filmmaker Michael Apted has followed over the course of their lives from the time they were 7 years old -- have fared in this fourth segment of the long-running documentary series. Just two years away from turning 30, participants have begun facing serious questions of identity and purpose, wondering whether they've found their place in the world.

(1992) 128 mins PG

A League of Their Own chronicles the men and women behind the All-American Girls' Professional Baseball League. Teammates Geena Davis, Madonna and Rosie O'Donnell travel a path through triumph and tribulation, and Tom Hanks (with a beer-belly) is hilarious as the team's dissipated wreck of a manager. Director Penny Marshall delivers a funny, sentimental crowd-pleaser that circles the bases.
NYT says: Women and baseball, back when. Immensely enjoyable. Read The Full New York Times Movie Review

(1966) 120 mins G

When Henry VIII (Robert Shaw) seeks approval from the aristocracy to divorce his wife and marry Anne Boleyn, Sir Thomas More (Paul Scofield) finds himself caught between a murderous king and the powerful Roman Catholic Church. Richly crafted with spectacular period details and a fine supporting cast, director Paul Zinnemann's drama swept the Oscars for 1966, winning six golden statuettes, including Best Picture, Best Actor and Best Director.
NYT says: Lord Chancellor vs. Henry VIII. Towering drama, masterfully expanded from the stage. Read The Full New York Times Movie Review

(1964) 103 mins PG

Sight gags and pratfalls abound in director Blake Edwards' unadulterated farce about a sexy parlor maid (Elke Sommer) accused of killing her lothario lover. Enter the bumbling Inspector Clouseau (Peter Sellers), who's intent on proving the young beauty's innocence even though the evidence indicates otherwise. Clouseau will go to any lengths -- including a stakeout at a nudist camp -- to unravel the case and nail the real murderer.
NYT says: Bumbling Inspector Clouseau and sexy maid. Colorful, sassy and frivolous, the best of the Pink Panthers. Read The Full New York Times Movie Review

(1999) 120 mins NR

In 1915, the Royal British Army's Sandringham Company -- a volunteer corps of servants, grooms and gardeners from King George V's Norfolk Estate -- forged into battle and vanished into a mist, never to be seen again. Through this moving drama, the details of the unit's fateful, ill-conceived campaign come to life, reconstructing the true story of amateur soldiers who valiantly marched to their doom. Maggie Smith and David Jason head the cast.

(1956) 105 mins UR

In 1928 Paris, a group of exiled White Russians claims to find Anastasia (Ingrid Bergman, who won a Best Actress Oscar), the only living heir of Czar Nicholas II. The entire Romanoff royal family was executed in 1918, after the Bolsheviks took power. Based on the true story of an infamous hoax in which a woman named Anna Anderson maintained for years (and was believed by many) to be the Russian Crown Princess. Co-stars Yul Brynner.
NYT says: Missing Romanoff and con man. Creamy entertainment, beautifully played. Read The Full New York Times Movie Review

(1999) 117 mins R

Writer/director Jasmin Dizdar follows the lives of everyday Londoners who are doing their best to navigate everyday chaos. From Balkan refugees to unexpected pregnancies, from unwanted boyfriends to unwanted legs, these ordinary people find their lives are inexplicably entwined. The outstanding ensemble cast includes Julian Firth, Danny Nussbaum, Charlotte Coleman, Steve Sweeney, Rosalind Ayres and Edward Jewesbury.
NYT says: Failed connections in Bosnian war. Exuberant funny valentine to chaos and human decency. Read The Full New York Times Movie Review

(1978) 114 mins R

When Detroit autoworkers Jerry (Harvey Keitel), Smokey (Yaphet Kotto) and Zeke (Richard Pryor in a rare and brilliant dramatic performance) find bills piling up and pressures bearing down, they decide to rob their corrupt union office.
NYT says: Detroit auto-plant workers try crime. Blistering, piercing labor melodrama. Read The Full New York Times Movie Review

(1950) 102 mins UR

Boorish business tycoon Harry Brock (Broderick Crawford) fears that ditsy fiancée Billie Dawn (Judy Holliday) will prove an embarrassment in the presence of politicos he wants to influence, so he hires a reporter (William Holden) to tutor the ostensibly brainless blonde in the political and social graces. Brock gets more than he bargained for, however, when the journalist transforms Billie into the backroom dealmaker's most formidable foe.
NYT says: Writer tutors bimbo. Excellent version of Kanin's stage comedy and Judy's Oscar. Read The Full New York Times Movie Review

(1960) 90 mins UR

After shooting a cop, young thief Michel (Jean-Paul Belmondo) meets and shacks up with Patricia (Jean Seberg), an American who sells the International Herald Tribune on the streets of Paris. Hiding out in her hotel room, Michel tries to sell Patricia on a plan to run away with him to Italy, and soon, the couple sinks further into the criminal life. Director Jean-Luc Godard shot to cinematic stardom with this benchmark film of the French new wave.
NYT says: Godard's landmark New Wave close-up of a small-time Paris crook. Piquant and original. Read The Full New York Times Movie Review

(1954) 108 mins NR

Screen version of the musical "Carmen Jones," which adapted Bizet's opera "Carmen" for an African-American cast. Army soldier Joe falls in love with Carmen, a beautiful and seductive factory worker. When he kills his sergeant during a fight, the ill-fated lovers flee to escape the police.
NYT says: Updated melodrama of femme fatale and flyboy in training. Dynamic cast and fine Bizet earful, thanks to Marilyn Horne and Le Vern Hutcherson. Read The Full New York Times Movie Review

(1995) 97 mins PG-13

Director Amy Heckerling's fresh adaptation of Jane Austen's novel Emma follows the misadventures of meddlesome Beverly Hills high schooler Cher (Alicia Silverstone), who gets more than she bargained for when she gives a fashion-challenged student (Brittany Murphy) a makeover. Stacey Dash co-stars as Cher's oh-so-stylish best friend in this witty -- and charming -- send-up of the 90210 lifestyle.
NYT says: Pampered Beverly Hills clotheshorse. Brightly satirical. Read The Full New York Times Movie Review

(1933) 68 mins UR

The Marx Brothers are at their sidesplitting best in this raucous political satire, which teems with razor-sharp humor. Thanks to the patronage of well-heeled widow Mrs. Teasdale (Margaret Dumont), Rufus T. Firefly (Groucho) becomes dictator of the tiny country of Freedonia. When the ambassador of the bordering nation of Sylvania declares his love for Mrs. Teasdale, Firefly declares war. Chico, Harpo and Zeppo costar as spies and counterspies.
NYT says: Marvelously funny war spoof. Hail Freedonia and four freres. Read The Full New York Times Movie Review

(1931) 70.183333333333 mins NR

Unbeknownst to his fiancée (Mae Clarke), young scientist Dr. Henry Frankenstein (Colin Clive) -- aided by his hunchbacked assistant, Fritz (Dwight Frye) -- has been building a monster made of spare parts. But no one is prepared, not even the doctor, when the creature comes to terrifying life. Boris Karloff stars as the iconic Frankenstein's monster in this classic piece of horror cinema, based loosely on the novel by Mary Shelley.
NYT says: Highly artistic shocker. Made Karloff a star. Read The Full New York Times Movie Review

(1982) 190 mins PG

This awe-inspiring biopic about Mahatma Gandhi (Ben Kingsley) -- the diminutive lawyer who stood up against British rule in India and became an international symbol of nonviolence and understanding -- brilliantly underscores the difference one person can make. Epic and unforgettable, the film swept the 1983 Oscars, winning eight awards, including Best Picture, Best Actor (Kingsley), Best Screenplay and Best Director (Richard Attenborough).
NYT says: India's pacifist legend, via Attenborough. Impressive, sprawling biodrama, with super Kingsley. Read The Full New York Times Movie Review

(1953) 91 mins NR

Two American showgirls in the mood for love board a luxury liner to Paris. Engaged to be married, fair-haired Lorelei (Marilyn Monroe) is unknowingly tracked by a private investigator who was hired by her future father-in-law. But the detective only has eyes for her brunette friend, Dorothy (Jane Russell). Based on the Broadway musical starring Carol Channing, the film features the memorable tune "Diamonds Are a Girl's Best Friend."
NYT says: Dames at sea and they're an eyeful. But slow sailing after a while. Read The Full New York Times Movie Review

(1999) 180 mins NR

Charles Dickens's timeless tale of love and ambition is brought to life in this Masterpiece Theatre adaptation of Great Expectations. Pip (Ioan Gruffudd) grew up under very difficult circumstances, but strives to become a success as an adult, even if it means betraying those who secretly care for him. He also wants to woo the distant Estella (Justine Waddell) with the help of the eccentric Miss Havisham (Charlotte Rampling), but is she worth it?
NYT says: Splendid Dickens via David Lean. Model adaptation of classic. Read The Full New York Times Movie Review

(1997) 137 mins R

After would-be literary ace and ex-convict Henry Fool (Thomas Jay Ryan) inspires lowly Simon Grim (James Urbaniak) to pen prizewinning poetry, the two lose touch. But their paths cross again when Fool asks Grim to help him flee the country. Filled with eccentric satire and curious characters, writer-director Hal Hartley's film co-stars Parker Posey as Grim's sexually twisted sister, Fay, and Maria Porter as his manic depressive mother.
NYT says: Egocentric bum transforms the lives of a shy New Jersey garbageman and his sister. Brilliant. Read The Full New York Times Movie Review

(1994) 171 mins PG-13

The filmmakers of this groundbreaking documentary meant for it to be a short movie, but wound up weaving a widely celebrated feature-length film spanning years filled with grace and honesty. Meet Arthur Agee and William Gates, two young boys from equally rough Chicago neighborhoods who make use of their prodigious basketball talents to aim for a life outside the ghetto. But strife and setbacks befall them at every turn. Will they succeed?

(1941) 118 mins UR

Recounted via the memories of the Morgan family's youngest son (Roddy McDowall), How Green Was My Valley chronicles 50 years in the lives of a close-knit clan of Welsh coal miners. As the years pass, the Morgans try to survive unionization, a lengthy strike and a mining accident; meanwhile, their hometown and its venerable traditions slowly disintegrate. John Ford's gentle masterpiece won five Oscars, including Best Picture and Best Director.
NYT says: John Ford's Welsh coal miners. One of the screen's great human dramas. Read The Full New York Times Movie Review

(1992) 108 mins R

Director Woody Allen stars with Mia Farrow in his critically acclaimed comedy as a long-married New York couple whose own relationship starts to crumble when their best friends (Sydney Pollack and Judy Davis, in an Oscar-nominated role) announce they're separating. Smoldering resentments and unexpected jealousies soon rise to the surface, erupting in savage humor and hilariously unpredictable reunions.
NYT says: One couple is splitting; the other can't deal with it. Steady, insightful ensemble piece. Read The Full New York Times Movie Review

(1996) 139 mins R

After years of successfully navigating the shark-infested waters of sports management, Jerry Maguire (Oscar nominee Tom Cruise) experiences a crisis of conscience and leaves his high-powered job behind, with one loyal football client (Oscar winner Cuba Gooding Jr.) and a starry-eyed co-worker (Renée Zellweger) in tow. An irresistible little boy (Jonathan Lipnicki) adds the icing on the cake to this sweet, heartfelt Best Picture nominee.
NYT says: High-powered sports agent starting over. Winning romantic comedy and Gooding's Oscar. Read The Full New York Times Movie Review

(1944) 88 mins NR

Otto Preminger's classic mystery received four Oscar nominations, including Best Director, and won the Oscar for Best Cinematography in 1944. Laura Hunt (Gene Tierney) has been murdered. As New York detective Mark McPherson (Dana Andrews) investigates, he finds that everyone seems to be in love with her -- and he, too, gradually falls under her spell. But things aren't always as they seem, and McPherson soon faces a shockingly unexpected twist.
NYT says: Smart-set whodunit. Intriguing, with gorgeous music and golden fade-in. Read The Full New York Times Movie Review

(1988) 110 mins NR

Vasili Pichul directs this Russian drama about a willful teen, Vera (Natalya Negoda), who enters a risky relationship with handsome and rebellious Sergei (Andrei Sokolov). When her disapproving parents intervene, Vera not only refuses to break up with Sergei, but he moves into their dysfunctional home and winds up going toe-to-toe with her alcoholic father. Ultimately, Vera must decide where her loyalties lie.
NYT says: Soviet teen's boyfriend moves into her cramped apartment with her weary mother and alcoholic father. Comic, abrasive Russian-made love story. Stands nicely on its own. Read The Full New York Times Movie Review

(1982) 96 mins R

This 1980s gore flick combines the cross-country feel of On the Road with the creepiness of Rosemary's Baby, following the misadventures of a girl who runs away from home after her stepfather begins molesting her. Early in the journey, she flags down a pair of boys who agree to give her a ride to California. But before they can get much farther, they collide with a family of Satan worshippers who keep their mother's rotting corpse in the attic.
NYT says: Pretty but poor American among French worldlings. Delicious, swank fun. Read The Full New York Times Movie Review

(1987) 102 mins PG

Cher, Olympia Dukakis and screenwriter John Patrick Shanley each won Oscars for their wonderful work in this slice-of-life comedy about the Italian-American denizens of a Brooklyn neighborhood. Cher's an independent-minded widow who falls in love with a one-handed, misfit baker (Nicolas Cage), much to the chagrin of her betrothed (Danny Aiello). With great performances all around, Moonstruck is bellisima!
NYT says: Young widow meets fiance's brother. Vibrant romantic comedy, and Cher's Oscar. Read The Full New York Times Movie Review

(1978) 109 mins R

Knowledge is good, but swilling kegs of beer is more fun! Just ask the guys at the Delta House fraternity. Often imitated, but seldom equaled, Animal House spawned a generation of gonzo comedies and launched John Belushi's film career. Dean Wormer (John Vernon) puts the titular frat on double-secret probation, and it's up to Bluto, Flounder, Pinto and the rest of the brothers to get even. This edition includes retrospective featurettes and more.
NYT says: Fraternity brothers' food fights and toga parties. Immensely popular. Join the fun. Read The Full New York Times Movie Review

(1947) 116 mins UR

In this film noir from director Carol Reed, Johnny McQueen (James Mason), leader of a secret Irish rebel organization, plans a hold-up that will provide funds to keep his group going. During the crime, things go sour and Johnny is wounded. Unable to make it to the hideout, he disappears into the seedy underground of Belfast, Northern Ireland. A massive manhunt is launched by the police, whose chief is intent on capturing Johnny and his gang.
NYT says: A wounded, fleeing Irish rebel. Brilliant, moving drama from Carol Reed. Pounce. Read The Full New York Times Movie Review

(1985) 350 mins NR

This memorable BBC miniseries retells the timeless tale of Charles Dickens's Oliver Twist (portrayed at different ages by Scott Funnell and Ben Rodska), a plucky orphan boy who escapes the horrors of a workhouse, takes up with a pint-sized pickpocket (David Garlick) and makes friends -- and enemies -- in the London underworld. When he's rescued by the kindly Mr. Brownlow (Frank Middlemass), it's only the beginning of Oliver's adventures.
NYT says: Dickens's London waif, via David Lean. Absolutely superb. Read The Full New York Times Movie Review

(1939) 121 mins NR

A macho group of pilots brave the rugged Andes in director Howard Hawks's film about daredevil Geoff Carter's (Cary Grant) air-delivery outfit. Carter's men must be ready to face danger on every flight, so when pilot Barthelmess (Bat McPherson) makes a tragic error, he's cast off by his fellow pilots. Barthelmess's wife, Judith (Rita Hayworth), tries to seduce Geoff, but Geoff is intrigued by stranded showgirl Bonnie Lee (Jean Arthur).
NYT says: Mail fliers in Central America. Excellent Howard Hawks drama. Read The Full New York Times Movie Review

(1995) 104 mins PG

In 1814 England, Anne Elliot (Amanda Root), the daughter of a financially troubled, aristocratic family, is persuaded to break her engagement to Frederick Wentworth, a young sea captain. Eight years later, money troubles force Anne's father to rent out the family estate to Admiral Croft, and Anne is again thrown into company with Frederick -- now rich, successful and perhaps still in love with Anne. Based on Jane Austen's novel.
NYT says: Heroine on verge of spinsterhood re-encounters ex-fiance. Profoundly truthful, with all the pleasures of Austen's novels. Read The Full New York Times Movie Review

(1984) 93 mins R

Lacking role models and a purpose, baby-faced delinquent Otto (Emilio Estevez) finds a code of honor and a higher calling when he hooks up with a band of contemporary "knights": the repo men. A "seasoned" auto repossessor (Harry Dean Stanton) shows Otto the ropes, and when a big reward is offered for an elusive 1964 Malibu, Otto dodges G-men, cops, religious kooks -- you name it -- in a frenzied quest for the car. Does his fate lie in its trunk?
NYT says: Zany, neo-surreal farce of Southern California predators. Odd and on-target. Read The Full New York Times Movie Review

(1989) 100 mins R

Director Steven Soderbergh's voyeuristic indie drama paints an intense, intimate portrait of discord among a frigid housewife (Andie MacDowell), her philandering husband (Peter Gallagher), her adulterous sibling (Laura San Giacomo) and an intriguing out-of-towner (James Spader). When Spader arrives with a trunk load of videotapes featuring women confessing their sexual secrets on camera, he gradually turns the quartet's lives inside out.
NYT says: And love, with camera as central player. Director Soderbergh's stunning debut. Read The Full New York Times Movie Review

(1939) 96 mins NR

With rumors buzzing about a potential Indian raid, a mélange of troubled passengers climbs aboard the Overland Stage headed for Lordsburg. En route they run into the Ringo Kid (John Wayne), a notorious outlaw who's bolted from jail seeking vengeance on the men who framed him for murder. But the true threat looms down the road, where marauding Apaches could strike without warning. Will the travelers band together -- or unravel under the pressure?
NYT says: The one and only, via John Ford. Read The Full New York Times Movie Review

(1977) 107 mins NR

Director Werner Herzog delivers poetic juxtaposition and melancholy cynicism in this grim tale of three displaced Germans seeking a new life in rural Wisconsin. Stroszek (Bruno S.), a destitute ex-con, and Eva (Eva Mattes), a luckless prostitute, are plagued by misery in their home of Berlin. When Stroszek's neighbor immigrates to Wisconsin, the couple follows but finds that the bleak landscape of a depressed Midwest offers little hope or solace.
NYT says: Werner Herzog's tale of ex-con, tart and elderly eccentric who leave Berlin for American Midwest. Offbeat and compelling. Read The Full New York Times Movie Review

(1983) 92 mins PG

Alcoholic drifter Mac Sledge (Robert Duvall) comes into the life of a lonely widow (Tess Harper) and her young son (Allan Hubbard) in the barren flatlands of Texas. When Mac is revealed to be a once-famous country singer, he must face a painful past and an uncertain future -- but the new relationships he forges inspire him to revive his career. The cast also includes Wilford Brimley, Betty Buckley and Ellen Barkin.
NYT says: Disillusioned country singer. Simple, sensitive and probing. Duvall's Oscar. Read The Full New York Times Movie Review

(1948) 89 mins UR

Widely considered a landmark Italian film, Vittorio De Sica's tale of Rome's post-World War II depression earned a special Oscar for its devastating power. Antonio Ricci (Lamberto Maggiorani) relies on his bicycle to do his job. But the same day he gets the vehicle back from the pawnshop, someone steals it. Antonio and his young son, Bruno (Enzo Staiola), search the city in vain, as Antonio confronts a looming desperation.
NYT says: Lamberto Maggiorani, Enzo Staiola. Read The Full New York Times Movie Review

(1978) 113 mins PG

Oscar nominee Gary Busey does his own singing in this chronicle of the meteoric rise and untimely death of singer-songwriter and rock 'n' roll pioneer Buddy Holly. This biopic (which won an Oscar for Best Adaptation Score) covers Holly's beginnings in Lubbock, Texas, his first hit singles "Peggy Sue" and "That'll Be the Day," his marriage and his tumultuous relationship with his backing band, The Crickets.
NYT says: No-surprise drama, but nice rock vibes. Read The Full New York Times Movie Review

(1999) 130 mins PG-13

A surrogate son and protégé to a kindly physician (Michael Caine) who runs an orphanage in rural Maine, itchy Homer Wells (Tobey Maguire) sets off wide-eyed to see the world -- but cold reality soon intrudes on his youthful idealism and moral certitude. Directed by Lasse Hallström, this earnest coming-of-age drama netted Oscars for John's Irving's screenplay (which he adapted from his 1985 novel) and for Caine's impressive supporting turn.
NYT says: Coming of age at orphanage and orchard. Irving via Hallstrom, lovely and wise. Read The Full New York Times Movie Review

(1996) 162 mins R

Adapted from Michael Ondaatje's acclaimed novel set against the backdrop of World War II, Anthony Mingehlla's Oscar-winning drama stars Ralph Fiennes as a horribly burned pilot who recounts a tale of doomed romance to the nurse tending him (Juliette Binoche). As his story is revealed via flashback, so too are secrets about his identity and the depth of his passion for the woman he loved (Kristin Scott Thomas). Willem Dafoe co-stars.
NYT says: Passion and tragedy in WWII North Africa. Fiercely romantic Oscar winner. Read The Full New York Times Movie Review

(1958) 94 mins NR

Scientist André Delambre (David Hedison) has invented a matter transporter. To perfect his machine, he decides to test the device on a human subject -- himself. He steps into the chamber unaware that an ordinary housefly has accompanied him. His head and arm become horrifically switched with those of the fly. Now Delambre and his wife (Patricia Owens) are faced with a gruesome dilemma in this classic sci-fi horror co-starring Vincent Price.
NYT says: Ugly teleportation mishap. Original, chilling horror with memorable ending. Read The Full New York Times Movie Review

(1927) 103 mins NR

Rejected by the Confederate Army as unfit and taken for a coward by his beloved Annabelle (Marion Mack), Johnnie Gray (Buster Keaton) sets out to single-handedly win the war with his cherished locomotive. When Northern spies steal his train, the intrepid Confederate takes on the entire Union army to get it back.
NYT says: Irish thief Martin Cahill advances from petty villain to crime lord. Canny and elegant, with captivating detail. Read The Full New York Times Movie Review

(1961) 135 mins NR

Paul Newman scores as tragic, flawed pool hustler "Fast Eddie Felson" in a brooding drama that explores the synergies between good and evil, love and desperation. Felson tours the country hustling games -- even challenging reigning champion Minnesota Fats (a fabulous Jackie Gleason). Co-starring Piper Laurie and George C. Scott, The Hustler was followed 30 years later by the sequel The Color of Money, starring Newman and Tom Cruise. Rack 'em up!
NYT says: Fast Eddie and Minnesota Fats at the pool table. Four sterling performances. Read The Full New York Times Movie Review

(1988) 164 mins R

Nikos Kazantzakis's landmark novel comes to life in Martin Scorsese's moving, spiritual and highly controversial film that challenges the Christian notion that Jesus (Willem Dafoe) was both God and man. With an all-star cast that includes Harvey Keitel, Barbara Hershey, Harry Dean Stanton and David Bowie, Scorsese's film portrays Jesus as more human than divine, susceptible to the desires, doubts and temptations that all men face.
NYT says: Scorsese's haunting, controversial adaptation of 1951 novel. Read The Full New York Times Movie Review

(1962) 178 mins G

With four directors and an all-star cast, this Academy Award-winning war epic from producer Darryl F. Zanuck chronicles World War II's harrowing D-Day invasion. Shot on the beaches of Normandy, France, the ambitious film attempts to cover the historic day from all perspectives, focusing on figures from both sides of the conflict. The who's-who ensemble cast is led by John Wayne, Sean Connery, Robert Mitchum and Henry Fonda, just to name a few.
NYT says: Normandy coast, June 6, 1944. Terrific, pounding panorama. Read The Full New York Times Movie Review

(1942) 88 mins NR

Preston Sturges helmed this screwball comedy about Gerry Jeffers (Claudette Colbert), a woman who'll do anything to help her struggling architect spouse, Tom (Joel McCrea), succeed. When she realizes Tom will never strike it rich, Gerry decides to divorce him, wed a wealthy man and finance Tom's projects -- so she heads to Palm Beach, Fla., where she tries to land eccentric billionaire John D. Hackensacker III (Rudy Vallee). Mary Astor costars.
NYT says: Runaway wife meets millionaires. Delicious Sturges canape. Read The Full New York Times Movie Review

(2005) 103 mins NR

Riding the subway after a long day's work, Sun-jae finds an abandoned pair of red high heels. When she decides to keep them, she has no idea that the shoes carry a curse, bringing nothing but harm to those who wear them. With stunning visual imagery, the tension in Yong-gyun Kim's creepy horror film builds as the shoes begin to inspire greed, jealousy and violence in those who come in contact with them.
NYT says: Most beautiful ballet film ever made. Read The Full New York Times Movie Review

(1955) 105 mins NR

After packing off his wife and son for the summer, doughy middle-aged publisher Richard Sherman (Tom Ewell) lets his imagination run wild, fantasizing about erstwhile ladyloves and his blonde, curvaceous new neighbor (Marilyn Monroe). Inviting her over for a drink, Richard plans to sweep her off her feet and into the bedroom, until he imagines that his flights of fancy are airing nationwide -- with his wife in the audience.
NYT says: Mainly a symphonic display of Marilyn, as homely Ewell gawks and gulps. That's the one long joke. Read The Full New York Times Movie Review

(1993) 100 mins NR

Gong Li delivers a superbly nuanced performance as the titular heroine in director Yimou Zhang's droll take on the absurdities of bureaucratic impotency. Set in a remote Chinese province, the film follows pregnant peasant Qui Ju on her resolute quest for justice after the village elder kicks her husband in the family jewels. Merely seeking an apology from the stubborn chief, Qui Ju soon gets caught in the cogs of an exasperating legal system.
NYT says: Farm wife's search for justice. Remarkable drama, via Zhang Yimou. Read The Full New York Times Movie Review

(1988) 82 mins NR

Filmmaker Errol Morris's gripping investigation into the murder of a Dallas police officer was responsible for freeing the man who was originally -- and erroneously -- charged with and convicted of the crime. Through archival footage, interviews and reenactments, Morris skillfully makes a case for the innocence of a man who happened to be in the wrong place at the wrong time. Widely acclaimed, this breakthrough documentary won numerous awards.
NYT says: Slaying of Dallas cop, 1976. Probing, haunting re-creation. Read The Full New York Times Movie Review

(1955) 100 mins PG

Alfred Hitchcock's second American comedy demonstrates the director's flair for gallows humor. The trouble with Harry is … he's "expired," and the residents of a quaint New England tourist spot just can't seem to get rid of him. Shirley MacLaine makes her film debut, and that's Jerry Mathers (the Beave himself) as the bewildered boy. See if you can spot Hitchcock in his customary cameo (hint: he's strolling past a limo).
NYT says: Reappearing corpse and whimsical rustics, via Hitchcock. Lovely foliage. Read The Full New York Times Movie Review

(1942) 99 mins NR

This 1942 comedy manages to eke out barrels of laughs from a contentious time in history, World War II. Joseph Tura (Jack Benny) leads a ragtag band of actors in Poland who come to the aid of an American soldier (Robert Stack) who needs help carrying out his work in the Resistance efforts. But it turns out that Tura's wife (Carole Lombard) is having an affair with the military man, which severely undercuts Tura's sympathies for the soldier.
NYT says: Polish actor-patriots foil Nazis. Riveting Lubitsch comedy-drama. Read The Full New York Times Movie Review

(1992) 127 mins R

Retired gunslinger William Munny (Clint Eastwood) reluctantly takes one last job -- and even more reluctantly accepts a boastful youth (Jaimz Woolvett) as a partner. Together, they learn how easily complicated truths are distorted into simplistic myths about the Old West. Gene Hackman (who won an Oscar) and Richard Harris stand out as old foes who have an unhappy reunion. The film also earned Oscars for Best Picture and Best Director (Eastwood).
NYT says: Bloody revenge in Old West. Peak Eastwood western, without good guys. Read The Full New York Times Movie Review

(1956) 99 mins UR

Self-pitying Texas oil millionaire Kyle Hadley (Robert Stack) tries to cure his alcoholic ills by stealing the virtuous Lucy Moore (Lauren Bacall) from best friend Mitch Wayne (Rock Hudson). When Kyle learns he may be sterile and Lucy becomes pregnant, her green-eyed sister-in-law (Dorothy Malone) stirs up trouble by intimating that Mitch may be the father. The resulting whirlpool of searing emotions leads to disaster in this Oscar-winning drama.
NYT says: Oil-rich family's romantic quadrangle. Handsome production. Malone won supporting Oscar. Read The Full New York Times Movie Review